Archive | January, 2010

5 Moments in Music Censorship History

25 Jan

The Music: Cher, “If I could Turn Back Time”
Who pulled the plug: MTV
When: 1989
Supposedly featuring Cher in a fishnet body stocking and what just so happens to be a very revealing swimsuit, the singer’s video for “If I Could Turn Back Time” caused quite a stir when it appeared to look more like some artful electrical tape thoughtfully shrouded in some pantyhose. The outfit combined with the canon she straddles for part of the video caused MTV to refuse to show it before 9pm, and only then after omitting some of the more racy shots. Sexually charged and scandalous at the time, today it’s more something we look at and say “Oh, that Cher”

The Music: Pearl Jam, ‘Another Brick in the Wall (Pink Floyd’
Who pulled the plug: AT&T
When: 2007
Cybercast by AT&T and played on the company sponsored stage, a few collars were tugged when Eddie Veder took center stage and made a few creative changes to Pink Floyd’s ‘Another Brick in the Wall’. Instead of asking teachers to leave those kids alone, Pearl Jam so kindly urged,“George Bush, leave this world alone,” and “George Bush, find yourself another home.” AT&T quickly “accidentally” omitted those lyrics from the Webcast. In a statement, AT&T blamed the mistake on their vendor and said that there was no reason for the lyrics to be censored.

The Music: The Sex Pistols
Who pulled the plug: Thames Television’s “Today” with Bill Grundy
When: 1976

There was some initial under-the-breath cursing early on in the interview, but that turned out to be the least of anyone’s worries. To be fair, Grundy sort of had it coming – he suggested on air to Siouxsie Sioux that they meet up after the show-raunchily enough for everyone to know he didn’t just want to grab a cup of tea. Steve Jones proceeds to call him a dirty… well, we try to avoid explicit language ourselves, so we say go ahead and check out the YouTube video. The band was immediately dropped from their label EMI, and Grundy was suspended from his job for two weeks. The show was cancelled two months later. Though we don’t totally get why anyone was shocked…it was The Sex Pistols after all.

The Music: Neil Young, ‘This Note’s for You’
Who pulled the plug: MTV
When: 1989.
Neil’s song “This Note’s for You” mocked the bands and companies who used one another for popularity and endorsement. In fact, the song specifically says,

“Ain’t singin’ for Pepsi
Ain’t singin’ for Coke
I don’t sing for nobody
Makes me look like a joke
This note’s for you.

Ain’t singin’ for Miller
Don’t sing for Bud
I won’t sing for politicians
Ain’t singin’ for Spuds
This note’s for you.”

The video includes a spoof of the now infamous Michael Jackson incident involving the filming of a Pepsi Ad, some product laden hair, and a small fire. MTV initially refused to play the video on the grounds that it was worried about copyright infringements from celebrities it mocked, so Young’s record company said they would sign an agreement releasing MTV from any responsibility from any future lawsuits. They also offered to scrap the satire and just show Neil singing, but MTV still said no,this time saying that they didn’t allow any artists to name specific products in their songs. However, based on the fact that “Parents Just Don’t Understand” was in high rotation at the time, featuring the name drops of McDonalds, Adidas and Porsche, among others, this argument didn’t hold fast. Neil wrote an public letter to MTV calling them spineless, and the t.v. station finally gave in. The joke was on MTV though- fans voted the video as the Best Video of the Year in the 1989 MTV Video Music Awards.

The Music: The Doors, ‘Light My Fire’
Who pulled the plug (or at least tried to): Ed Sullivan
When: 1967.

When The Doors made an appearance on The Ed Sullivan Show in 76′ they were asked to do something about the lyric of ‘Light My Fire’ that said “Girl, we couldn’t get much higher.” The band said, “Why, of course, no problem”… and proceeded to go ahead and disregard the request, singing the song as it was written. Anyone who has seen the Oliver Stone movie knows about the famous move to that left Sullivan miffed. In the movie, however, Val Kilmer as Jim Morrison looks directly into the camera while delivering the line as a snarky blow to Sullivan. In the real clip? Morrison is acts totally nonchalant. doing his thing and singing with his eyes closed. “Hey guys, I’m just purposely pissing off one of America’s biggest people in the entertainment world. No big deal.”

In Review- Metro 1/23

24 Jan

The Metro is a venue that is absolutely synonymous with big talent and big turn-outs. Having housed notable acts from nearly every genre and every corner of the musical world, it is indeed a prestigious and brag worthy place to have graced the stage of. Last night it’s collection of local and not-so-local bands lived up and possibly exceeded the standard of excellence such an arena sets. The Felix Culpa played for the release of their recent and much anticipated full-length, Sever Your Roots, joined by Chicago bands Suns and Loyal Divide, as well as Long Islander musicians Robbers. Put together by Rebecca Lopez of Betta Promotions, if anyone had previously doubted this young woman’s knack for creating a note worthy line up, they were surely proven wrong last night. Each of these bands showed considerable talent, so obviously trying to do something different in their music, and it was evident to everyone in the room that they were experiencing something great.

The night appropriately began with the debut of Suns, a new band out of Chicago featuring members of past projects such as Wax on Radio, Eli, They Found Me The Named Me, and Blame Twilight. Though the bands first official performance in this incarnation, it was anything but amateur. Fronted with vocals that are both non-traditional and surprisingly delicate, Suns instrumental sound follows similar suit, using a spacey-ambient quality that comes across floatingly without sacrificing a tight and close resonance. Able to shift from a softer, ballad-esque track into one complete with a raspy vocal belt, the band offers a variety of style in their songwriting, as well as the ability to kick it up without coming across as grating. Though their movement on stage was relatively low-key, the set was in no way demure and we have to say that this performance was a great first impression, which we greatly look forward to building on as Suns continue to break out in Chicago music.

Following our first act was another debut, this one from East Coast band Robbers, as they humbly played the Metro for the first time. The five piece, composed of three guitars, one bass and drums, have the emotiveness of Mewithoutyou, the distorted-grinding guitar of Devil And God-era Brand New, and whispering gleams of The Cure. Clearly an eclectically influenced group of young men, these musicians have a strong sense of composition as well as showmanship. Fronted by what appeared to be a mad scientist with a mustache, we were completely absorbed in watching his ecstatic expressions, Angus Young kicks and swiveling Elvis hips as he slid from a seamless falsetto to some pseudo-spoken word and took his teal guitar for all it was worth. The band’s cymbal heavy percussion and rolling bass (from a player that was seriously grooving) even had the stone-faced Metro security guards nodding along- so we’d say it was an overall success for these Long Islanders, and we hope the rest of their tour taking place through February is just as prosperous.

“What the hell? Where is this going?” is something we heard from a show go-er standing behind us as the members of Loyal Divide traipsed on stage in costumes that are best described as digital glow-in-the-dark stick figures. What the first timer was soon to learn was that where the band was going was a place of creative intricacy. Taking a moment to look at the crowd a few minutes into the set it was easy to identify those who had seen the band before from those who hadn’t- there was a straight division between the people swaying and bouncing along from the clusters of audience members who were utterly floored and slack jawed while listening.

Very different from the blanket statement of Indie the rest of the bands fell under, but somehow entirely cohesive (again, let’s thank Betta for brewing this one up) Loyal Divide gave a highly percussive and slightly eerie set, implicating the use of synthesizers, keys, and loops, along with the backbone of bass, guitar, and drums. Their set list built on itself, adding intricacies and variation as it went, going everywhere from the more industrial and mechanical to a bongo and shaker instrumental break. Though clearly a technically reliant operation, there is still real rock and rock roll layered within their guitar and bass, as well as a certain theatrical and almost symphonic syncopation. Vocals from Adam Johnson and Chris Sadek were both ghostly and smoky- whispery enough to make the listener learn in, pressing themselves to hear more, but with the ability to break and border the more aggressive and commanding. By the end of the set, the charming young man who was standing behind us and previously confounded by the costumes merely said “That was the shit.” We couldn’t agree more.

Finally came the moment the whole night was building up to. Well, really what the last two years, three months, and roughly 17 days had been building up to. The Felix Culpa took the stage amid cheers from a crowd that was truly beside themselves with excitement, and with the first drumbeat the entire room began to move. Opening with a brief strumming of acoustic and chorus of “Oh no’s” from the band, then diving right into a full bodied song, The Felix Culpa proudly proclaimed “We are still here” with last night’s performance. Joined on stage by band friend Evan Weiss (Check out his project Into it. Over it.) who accompanied the Culpa on guitar, banjo, and a little percussion, along with a few other friends making cameo appearances. There was an real sense of bonding between the band and fans, as well as a certain Culpa closeness in the set, particularly after the band said a few words about the passing of drummer Joel Coan’s father this past week, dedicating the album, and Metro set to a man who had “a heart as big as this room”.

The other new songs from the quartet revealed in the set list (Read our previous review of the ‘teaser tracks’ released earlier this month) proved to be just as entrancing, showing real growth and progression. Aggressive without being entirely abrasive, the band’s melodic rock takes control of its listener, and we don’t think there was a single still body in the entire venue. While Dustin expertly manned both guitar and keys, Joel dominated his drums, and Tristan slapped pounded the bass, Marky crooned and crowed, ending the set on the ground. Bursting into the chorus of ‘An Instrument’ (which the band debuted earlier this month online) - a raucous blend of post-hardcore guitar grind, percussion, and “whoa-oh’s” proved more intensely epic than we could have anticipated, and as much as we could try to give out adjectives describing the consummate creation that are the songs of Sever Your Roots and this performance, we simply could not do it all justice. These four, plus the special edition of Evan Weiss, obviously gave all they had to their performance and created something truly inspirational.

Upcoming Shows: Weekday Edition

24 Jan

Monday January 25th


Findlay Brown
Bumpus (Acoustic)
Schuba’s
Show at 8pm 21+ $10 Adv/$12 at the door

Tuesday January 26th


Chicago.com/music Presents…
Blah Blah Blah
The Rikters
Unearthed
Warren Buckler
Double Door
Doors at 8pm/Show 9pm
$3 Adv/$5 at the door


A Benefit for Bike & Build featuring…
Louis & The Hunt
Panda Riot
Color Radi
o
Lincoln Hall
Show 8pm 18+ $10


Wednesday January 27th

Rock N Roll Bailout…

Gunners Daughter
Last Minute
The Streets On Fire
Gypsy Fly
Double Door
Doors 7:30pm/Show 8:30 Free, 21+

Band of Heathens
The Great Crusades
Schuba’s
Show at 9pm, 21+ $10


Raise the Red Lantern
Chord
Battlefields
City of Ships
The Beat Kitchen
Doors at 8pm/Show 8:30 21+ $8


Daphne Willis (Record Release)
The Right Now
Matthew Santos
Lincoln Hall
Show at 8pm 18+ $12

ACID TEST: An All Vinyl Experience
Last Wednesday of every month…

Stephen P
Tyrel Williams
Blue J
Julian Pena
with special guests
Acidmand & Bryan Balli
Metro-Smartbar
Free 21+
Doors: 10pm / Show: 10pm

Thursday January 28th

NoVo Arts presents “Girls Out of the Garage”
featuring…

The Wanton Looks
Leslie Hunt
The Maybenauts
Scotia Widows
Lincoln Hall
Show at 8pm 18+ $10

Someone Still Loves You Boris Yeltsin
One for the Team
Schuba’s
Show at 7pm All Ages $10 Adv/$12 at the door

VIDEO- House Music Event

Ghetto Division
Johnny Love (Guns N Bombs- Deathface)
Shazam Bangles
Cesario Magnifique
Starters DJs-(Frank 151′s Chicago Riders/Trax Reco)
Reggie’s Rock Club
Show at 9:30-2am, 18+ $10

The Black Fortys
Heather Perry and the Blank
Raise High the Roof Beam
The Beat Kitchen
Doors at 8:30/Show 9pm 21+ $8


Rock N Roll Bailout…

Bully In The Hallway
That Saturday
Love In October
The Injured Parties
Double Door
Doors 7pm/Show 8pm 21+ Free


Big Bass Thursdays, Abstract Science & Dubfix Welcome…
16 Bit
Timid
Chris Widman
Metro- Smartbar

$8 (free before 11pm) 21+
Doors: 10pm / Show: 10pm

Did we forget something?

Bands- Email us the details on your upcoming shows at [email protected]

Kid You’ll Mountains in Your Living Rooms- Round Two

23 Jan
Chicago darlings Kid, You’ll Move Mountains have been selected to be part of a brand new series on The Travel Channel. The Last Adventure, featuring hosts David DiVona and Jan van der Baan III will spotlight one city per episode, as well as one band per city, and venture across town, exploring all the local culture, food, music, and other delights the city offers. Kid, You’ll Move Mountains were recently contacted and confirmed to be featured on the show’s Chicago episode, giving the band national cable television exposure as well as the chance to show America their favorite hangouts in the Windy City. This isn’t the first time Kid, You’ll Move Mountains have been featured on T.V.- at the end of 2009 they played live on Chicago’s WGN. Truly this is another well earned stop on the bands journey to fame, following the 2009 release of their full-length, Loomings which recieved great acclaim, topping ‘Best Of’ lists across the boards. (Read our review of the album here)
Though the program won’t air until later this year, the band will be playing Friday, Febuary 5th at the lovely Lincoln Hall for a film crew from The Travel Channel. But what fun is a performance with just a band and a few camera men? So Chicago, it’s up to you to come out and pack the place- show the national cable world just how much we love our local music and possibly wave Hi to your mom. The show starts at 10pm, is 18+ and will feature Bishop Allen and Unicylce Loves You along with Kid, You’ll Move Mountains. Advanced tickets are available through the Lincoln Hall Website, so get yours today to be part of this truly monumental moment of exposure for a group of wonderfully talented and tenacious people.

Be Able to Say You Heard It First: The Honesty

23 Jan

Fresh out of the musical womb, The Honesty has only been working in its current incarnation since September of 2009. Currently composed of singer Tasha Gilbreath and drummer/guitarist Mikey Davis, the band was born when the two connect online via Myspace. With Tasha in California and Milkey in Maryland, the two eventually met up at a show on the Manatour where Mikey was selling merch for Sparks the Rescue, and ended up collaborating-writing all the songs that will appear on their debut EP from across the country, via the internet.

The Honesty is a band with an intention as direct as their name: they just want to make you move. Judging by the copious amount of plays their single Myspace track has and the estatic comments from their 39,000+ friends, the band is having no problem doing just that.
Currently in the studio recording their EP with producer Joel Piper (Confide [Tragic Hero Records]) the band is expecting to have a Spring 2010 release date. You can see videos of their progress on the band’s YouTube, where they currently have two studio updates with Mikey and Tasha posted. The EP will feature 5 or 6 of the 8 tracks the group is currently working with, will the extraneous songs being used as a pre-release. “People should expect a sound unlike anything they’ve heard before.” (The Honesty) From what we can tell, that new sound is one of catchy melodies, energetic Pop Punk, as well as one that holds true to the bands cited influences of Anberlin and Paramore. We look forward to seeing what comes out of this new project as well as having The Honesty here in Chicago on the tour they promise to pursue after the EP’s release. We also hope their music recieves the amount of enthusiasm they so obviously are putting into it.

The Honesty Online:

Myspace
Purevolume
Facebook

Mikey and Tasha took some time out of their recording schedule to talk to Telegram Sam online about their favorite bands, biggest influecnes and the first albums they ever bought.


T.S: Top three favorite venues to play?

Mikey:
I’ve played a lot of shows in other bands, my favorite venues have been The Station in Portland, ME, Soma in San Diego, CA, and The School of Rock in South Hackensack, NJ.
Tasha: I’ve only played at small venues in the Palm Springs, CA areas they are called Ignition & The Point After.I would have to say out of the those two I played Ignition is my favorite!

T.S: If you could book a tour with any 3 bands, past or present, who would they be and why?

Mikey: Anberlin because they have one of the best live shows I’ve seen to date, Blink 182 because they’re Blink 182, and Acceptance because they made such a big impact on me.
Tasha: Anberlin, Paramore, and Taking Back Sunday. Anberlin because every album they have put out has been amazing beyond belief,and they are a huge influence on The Honesty. Paramore because if it wasn’t for Hayley Williams I wouldn’t be singing.Her music impacted me so much,that it inspired me to become a singer. Taking Back Sunday because they have a phenominal live performance.

T.S: Who are your top three musical influences?

Band: Anberlin, The Almost, Acceptance
Mikey: The Almost, Acceptance, Blink 182
Tasha: Anberlin, Paramore, Coldplay

T.S: What is the first album you remember personally purchasing?

Mikey: If I can honestly recall correctly, I think my first album that I ever purchased was Three Dollar Bills Yall by Limp Bizkit. hahaha.
Tasha: I’m almost postive it was Baby One More Time by Britney Spears. haha. God that’s embarrassing.

T.S: What other projects have you been a part of as individuals?

Mikey:
I’ve been in an array of bands… from oldest to newest: Out Of Line, Silent Film, The Bigger Lights [Doghouse Records], and Running With Giants
Tasha: I started off in an acoustic project called Tosh & Josh. I then decided to go off on my own and became a pop solo artist (I know crazy!!), which I called Tosh.

T.S: We know you’re looking to add members to reach status as a 5 piece band, so if you could choose any two musicians from a currently active band to join you, who would they be and why?

Mikey:
I wouldn’t steal anyone from another band, but if I had to choose any two members who “just quit there band to look for something new,” it’d probably be Aaron Gillespe because he’s just an incredible drummer. I’d then play guitar instead of drums of course. I’d also pick Joseph Milligan of Anberlin because he’s such a good lead guitarist.
Tasha: If i had to it choose it would be Jeremy Davis from paramore as a bassist. He has an insane live performance. I would have to say Colby Wedgeworth from Sweet on Stereo and ex-Bidwell as a lead guitarist. He is so talented and comes up with the most amazing ideas and riffs for songs.

Robbers at the Metro- Saturday, January 23rd

22 Jan

Long-Island natives, Robbers, will be making their Metro debut this Saturday, January 23rd alongside Loyal Divide, Suns, and The Felix Culpa. The five-piece outfit released their second EP Flesh in 2009, following up their 2008 EP Ugly Savy.
A band loosely defined under the Indie/Alternative genre, Robbers offers so much more than just those two categories offer. Tossing an array of contrasting ingredients such as spoken rants, folk, electronica and more progressive rock into their musical pot and allowing them to simmer has created the wide ranging and fully unique sound that has garnered so much attention from music publications as well as their fellow members of the music community. The band’s slightly spectral sound has the versatility to come down heavy as well as haunting, with a composition to it’s individual songs that show these guys clearly know their instruments, themselves, and each other well enough to create the intricacies that make up their musical fusion.
Though Robbers has experienced a number of member losses and exchanges, the band has held fast to their vision of what it represents, no matter who has been in or out. “Whoever believes in what it stands for is just as much a part of it as any of us playing the songs on stage. I think that has a very romantic and personal feel, and it’s my favorite part of this band.” (Andrew Accardi)

More recently the band has been preparing for their upcoming tour, taking place over the course of January and February, and welcoming their drummer Mike Hennen to the area, who recently moved from St. Paul, MN. “We certainly have been a lively state of mind since he’s been here” (Andrew Accardi) While 2009 did not prove to be quite as fruitful as hoped, due to some dropped tours with lessons well learned, Robbers look to 2010 to be a “very, very good year”.

Robbers Online:
Myspace
Unicrons

Robbers will be playing this Saturday, January 23rd at the Metro alongside The Felix Cupla, Loyal Divide, and Suns. Doors at 6pm/Show at 6:30 $11.00 at the door.

Click the flier to purchase pre-sale tickets for $10.
$5 with the promo code ‘betta

Robbers’ Andrew Accardi was kind enough to talk with Telegram Sam this week about musical influences, the making of Robbers, and what we can look forward to from the band in the future.

Telegram Sam: Who are your top three favorite local bands at the moment?

Andrew of Robbers: Few favorite local bands from New York, without question are Family Lumber and The Lillapucians (but they just broke up). Very good people, very talented song writers. They keep Long Island alive, not many artists doing that right now.

T.S: If you could book a tour with any 3 bands, past or present, who would they be?

Andrew of Robbers: Three bands that we’d want to tour with…Well if it was up to me we’d just tour with Modest Mouse all the time, because to me they’re the only band that’s worth a damn. But If you asked Mike, he’d probably want to tour with the whole DoomTree crew, which would be a pretty amazing experience too.

T.S: Give us some background on the current releases you have.

Andrew of Robbers: Whenever I think back about recording Ugly Savy, I wish we could have gone back to that time with the same mind-set we have now and do it all over again. It was the first time we ever heard songs we created recorded decently, so we were so complacent. Everything sounded great to us! If we approached it now, we’d rip those songs apart, and I don’t mean re-write them, I mean give them all the emotion they’re missing. It’s a completely different aesthetic listening to those recordings and hearing the songs live. I just wish we could have gotten more of our live set in the recordings. Flesh is great. I am very proud of it. All the songs on Flesh were written over a period of three years. Flesh is more of a collection of songs that coincidentally shared a similar message, as opposed to Ugly Savy; they were all pretty much written back-to-back three/ four years ago.

T.S: What are your top three musical influences as a band?

Andrew of Robbers: Unfortunately for me I’m not finding too much inspiration in music, I don’t have an ambition to search or listen to new stuff. This funk has been hovering over me for almost two years, hopefully it will end soon..But it probably won’t. Most inspiration is found in writing, poetry. Bukowski, and the New Testament. Sounds like a dirty combination, but it’s very interesting. We’re also finding a lot of inspiration in exploring each other’s likes and dislikes as far as art, especially on the road. Plus, we’re going to be doing a lot of filming this tour as well. Interview random anybodies we meet at shows or bars, find out what expression through life and art means to them, and all that existential bull shit. I think it will make for a very wide variety in results. The world has a lot to say.

T.S: What are your plans for Robbers in the next year?

Andrew of Robbers: Our plans for the future are going to be kept a secret for a little while longer, mostly because there’s still some important decisions to be made. It’s all very exciting, I’m just looking forward to when we finally get to work on..whatever it is we decide.

T.S: What other projects have you been a part of?

Andrew of Robbers:We’ve all been in bands before this one. Joe went to Institute of Audio Research in Manhattan and was up for an award for a piece he recorded. He knows his shit. I’m excited for when we get back home from this tour because I’m going to recruit some local Pianists for an improvisation project. No premeditated ideas, just sit at the piano and play the first thing that comes to mind. Very productive challenge.

T.S: Where does the Metro rate on your list of venues to play?

Andrew of Robbers: Playing Metro is definitely a feat we are very proud of reaching, all thanks to our now very close friend, Rebecca. She has a promotion company out of Chicago called Betta Promotions. I got in touch with her back in October to set up a last minute show for one of the runs we were supposed to do with All Get Out this past December. But that just turned into her offering us a show at Metro because she believed in us that much. We’re very proud of that. Like I said before, we’re growing very quickly. We’re finding so many people that believe in what we do and this Metro show just proves that. 2010- Gonna be a very,very good year.

White Mystery Tonight at the Metro

22 Jan

“Two redheads, sixty-nine shows, and one new White Mystery album” best describes what has been going on in the world of Chicago musicians White Mystery. The brother and sister duo having been making music together since their childhood on Chicago’s North Side, creating a number of bands apart before coming together in this incarnation. Sister Alex made her way through the music world in Hot Machines, various recording projects, and her albums with In the Red Records as Miss Alex White & the Red Orchestra. Forestbride was another project, this time featuring Francis, and shortly thereafter Alex graduated college, toured Europe with the Red Orchestra, and moved away from home. White Mystery came to be as a means for the siblings to continue collaborating together creatively.

The twosome was recently featured on Chic-A-Go, a performance which was dubbed “one of the most killer tambourine and guitar rock outs I’ve ever seen” by Lisa White of Gapers Magazine.

Offering a stripped down sound of garage rock, the hard hitting drums and real rock n’ roll guitar two piece stands out from the plethora of pop punk and electronica pouring from the current scene. Howling powerhouse vocals and undeniable energy puts these two a few rungs above other local talents, and if you haven’t already had the White experience, we sincerely suggest you start solving this White Mystery.

White Mystery Online:
Myspace
White Mystery on Coach House Sounds
Five Tunes


White Mystery will be playing tonight at the Metro along with Pet Lions, Post Honeymoon, and The Dirty Diamonds
Doors at 8pm/Show at 9pm 18+ $9 at the door
Text Message Special:
Free Before 9PM!
$6 AFTER 9PM

T.S: Is there a particular concept or muse behind White Mystery?

White Mystery: “White Mystery OUT OF CONTROL!”

T.S: What are your top three musical influences as a band? Individually?

White Mystery: MC5, Black Sabbath, Twinkeyz

T.S: Tell us about the LP that’s up for pre-order right now.

White Mystery: Fourteen songs, recorded in a steel factory loft with a microphone two stories high, all recorded live onto analog tape. It’s 100% White Mystery start to finish including the music, website, and design. Get your record on CD or LP here.

T.S: Any big plans for 2010?

White Mystery: Record release party at the Hideout in March. Getting an Orange Amp. New York shows in April, then Nashville, West Coast, Europe, and of course Chicago all the time. Partying. Click here for shows.

T.S: If you could share the stage with three bands (with no constraints of era, or current existence) who would it be and why?

White Mystery: The Rolling Stones in 1965 with Brian Jones, and a serious after-party.

Kevin Andrew Prchal Needs Your Help to Play the HOB With Everclear

21 Jan

Acoustic artist Kevin Andrew Prchal is the man behind the music of the same name- no clever monikers for this music maker. As well as the creator of the 2009 album Eat Shirt and Tie. Previously featured here on Reviewsic (read our review of the album here), we’re giving Kevin a hand by asking all our wonderful readers to help him win the prestigious right to open for Everclear at their upcoming House of Blues Chicago show. Already selected as a finalist, Kevin needs you to head on over to myspace and follow these two easy steps:

1) Add Everclear as a friend on MySpace (www.myspace.com/everclear)

2) Leave a comment saying “I want Kevin Andrew Prchal To Open For Everclear In Chicago!”

The decision will be made Friday, January 22nd, so act fast and help this talented melody maker!

www.kevinandrewprchal.com
www.twitter.com/kevinprchal

The Felix Culpa- Album Release at the Metro 1/23

21 Jan

No strangers to the world of music, The Felix Culpa have been featured on numerous “Best” and “Top” lists, publications, and blogs. Beginning in 98’ with Singer/guitarist Marky Hladish and drummer Joel Coan, under the guise Twostepsback, the band later began playing as The Felix Culpa during 2001. Though having been played together for some time, both Marky and Joel accredit the band truly taking form to the addition of bassist Tristan Hammond, saying, “He really brought a new life to our music, our dynamic, and definitely our live show that just wasn’t there previously. I actually remember telling him at one point that I was so excited that he was in the band because it made that much of a difference.” (Joel Coan) The band added a fourth member Dustin Currier in 2007 creating the quartet as it is today.

With the release of their newest album and second full-length Sever Your Roots just around the corner (January 23rd to be exact) the men behind the music have every reason to feel proud. Having a two-year gestation period laced with many trials and tribulations, the band has successfully pushed through and earned an amazing amount of support and anticipation for the upcoming release.

2009 in particular was a miraculously challenging year for the group as they endured instances of musician misery such as equipment failure, scheduling conflicts and vehicle difficulties, to the darker hand life dealt them in family loss, health deterioration, and financial problems. “We’ve labored so damned hard with this album, enduring countless frustrations to the point where we sometimes doubted if it would ever happen at all” (Tristan Hammond)

However, despite all this the band does not gripe about the challenges they faced, instead saying, There were definitely points where it didn’t feel like we were gonna come out the other end alive, at both professional and personal levels. It was tough. But in typical Culpa fashion, somehow we seemed to pull our selves through. I never thought I would end this year this excited about what we have in store. That’s definitely a good feeling.” (Joel Coan) It’s a good feeling for Culpa fans as well, as they see the fruition of this full length finally come to be, having patiently waited since 2004 for the band’s sophomore LP. In between Commitment and Sever Your Roots the band was kind of enough not to leave us hanging, releasing 2005’s Thought Control EP/DVD through Common Cloud Records, as well as the 2009 SoSoRemission Digital EP.
By associating with the name “The Felix Culpa” (which loosely translates into “the fortunate fault”, referring to Adam and Eve’s fall through original sin) these four have definite expectations laid before them. Both lyrically and musically they continue to earn this weighty title, with the few “teaser tracks’ the group released from Sever Your Roots earlier this month. (Read our review of these tracks here) Continuing their Indie/Post-hardcore sound with their signature abraded yet astral guitar, galled vocals, and the quixotic rock vibe that just doesn’t exist anywhere else the way it used to, The Felix Culpa may have kept fans waiting with bated breath, but we can guarantee listeners will take Sever Your Roots in with deep, rapt inhales.

The Felix Culpa will be playing their CD release show this Saturday, January 23rd at the Metro alongside Robbers, Loyal Divide, and Suns. Doors at 6pm/Show at 6:30 $11.00 at the door.

Click the flier to purchase pre-sale tickets for $10.
$5 with the promo code ‘betta’

The Felix Culpa online:

TheFelixCulpa.com
Facebook
Myspace


This week Reviewsic’s Telegram Sam talked to the musical outfit about Sever Your Roots, the growth of The Felix Culpa, and the music they love.

Telegram Sam: Does the album have a particular muse or concept behind it?

Marky- Well, basically the album is about “starting over”, hence the title and most of the lyrical content. I went through a lot since the beginning stages of this record personally, more so than at any other time in my life, and I think the lyrics probably reflect that. Most of them were written or re-written in the studio over just the last part of this year. A lot of it probably reads like a boy/girl thing, and that’s fine, but most of the actual lyrical ideas are directed at my love of playing music and finding where that fits into real life. The two concepts kind of got intermingled along the way and I’m ok with that. I’m happier with people drawing their own meanings from things that I write, if they so choose. Who am I to tell them what to read into lyrics they listen to?

Joel- This album definitely has a lot of common ground as far as the lyrics go, I feel. There is a lot we’ve endured together. Things we’ve gone through as a unit, and then as friends. I think it’s safe to say that all 4 of the guys in this band can heavily relate to a very large portion of the lyrics on this album.

Dustin- the process of recording this album has had a very serious effect on the outcome of it - musically, lyrically and otherwise. it wasn’t easy, and it took pretty close to forever to track and mix. The process was physically, emotionally, musically and financially exhausting, but everything we’ve poured into it has only contributed to what it’s come to be and what it’s come to mean to us. Hopefully other people can see that and get something out of it that’s half as valuable to them as it’s been to us.

Tristan- I think that, as much as we tracked to ProTools, we tried to keep the album as organic as we could. Roomy sounds recorded in foyers, room mics for tracking things live, using pre-amps to keep a sort of warmth instead of constantly relying on plug-ins for everything, no beat detector, no auto-tune, etc. Of course there are edits, and things are ultimately going through a digital interface, but I think we (and our engineer) did a great job of keeping the tone and warmth we wanted on everything.

T.S: Any band resolutions for the New Year?

Joel- Still be a band by the end of the year. Ha. Oh and - have something to show for it. I think we can all agree that we are going to push it as far as it can go, especially after what we’ve endured for the last 2 years.

Marky- Put out the album, tour.

Dustin- Fix the van, tour behind the release of the record, write some new music.

Tristan- Re-energize and show appreciation to the people who once used to support and love us. We’re still here and we want everyone to know that.

T.S: What were your top bands/albums of 2009?

Marky- Well for me Bon Iver was the most listened to artist of the year, but I’ve said that for the last couple years. Brand New and As Cities Burn also put out great albums this year. Really recently I’ve been getting into Helen Earth Band and Robber’s new EP FLESH. Some local artists put out some amazing releases this year, like Kevin Prchal from Chicago, Fable & The World Flat from Milwaukee, Kid You’ll Move Mountains from Chicago, The Chairs from Appleton, Zach & The Broken Bones from the Burbs, all amazing bands self releasing truly awesome records that deserve tons of praise. i think this is the year for the independent, unsigned artist to release music. 2009 was also the year of unreal reunions - Sunny Day Real Estate, Jawbox, Get Up Kids, Hey Mercedes… it’s like my high school CD collection exploded all over chicago. it was awesome.

Joel- Brand New - Daisy, As tall As Lions - You can’t Take It With You, P.O.S. - Never Better, As Cities Burn - Hell or High Water, The Color Morale - We All Have demons, (A sixth for good measure) Fable and The World Flat < - too good to be left out

Dustin- Into It. Over It. - 52 Weeks; Dirty Projectors - Bitte Orca; Fable & the World Flat - Ladies & Gentlemen; P.O.S. - Never Better; David Bazan - Curse Your Branches

Tristan- P.O.S - Never Better, Mew - No More Stories…, As Tall As Lions - You Can’t Take It With You, Helen Earth Band - Our Own Ghost City, Oceansize - Home & Minor

T.S: After the epic finish of this album, what comes next? Touring, more new music by 2011, etc?

Joel- New Music by 2011?! That would be a Christmas miracle!! But truthfully - that would be awesome. It’s a personal goal, and hopefully the guys agree, to get our next full length or maybe even an EP out in a timely fashion. 2010 tour = most definitely.

Dustin- I can only say that I hope to tour as much as we can, given our circumstances with family lives, jobs, etc., and that we’re ready to write some new music before the year is up.

Tristan- I think we can all agree that taking 3 years to write, re-write, demo, record and produce an album is… not fun. I *think* I can safely say that the turnaround time for whatever we do next will be significantly faster. And, yes, we are certainly planning on touring this year.

Marky- We have a few smaller tours in the works. We really don’t have much of a plan outside of promoting this album. The idea to release it (and do it ourselves) came up pretty suddenly and unexpectedly, so we’re really still trying to catch up to that. We’ll see what the release brings. Also, the other guys don’t really know it, but i already have a ton of new music for us to record, so who knows?

T.S: Comparing yourselves as musicians at the release of your first album to yourselves at the release of this one, what do you think has changed?

Joel- Honestly, we’re not even the same band that we were back then. Our approach, our mindset, pretty much everything is entirely different. The writing has matured, the decisions we make (for the most part) are better. Yeah - a lot has changed, no doubt.

Dustin- When Commitment was released I was about 15, so I’d like to think I’ve grown quite a bit. I learned how to play some new instruments, basically for the sole purpose of joining this band, and since then playing with these guys has been the greatest blessing I could ask for. I’ve learned a ton personally and as a band, songwriting has become a bit more focused and taken new shape in a really interesting way.

Tristan- Everything has changed. I don’t think that any of our lives are in the same place they were in November of 2004. We have a 4th member this time around, who was like 9 years old when Commitment came out, we are thinking differently, writing differently, communicating differently, approaching the business side of things differently… I think that there’s an odd balance of experience, being jaded, and a growth of understanding. I can only hope that we are able to continue communicating who we are through what we say and do with our music.

Marky: Wow, a lot has changed. I think just most obviously, growth. All of our lives are so different now. At the onset of that first album, we really had no idea what we were doing in a lot of ways. Joel and I had just kicked out our bass player and I actually played bass on the first few songs that we tracked for Commitment. We had no idea if that recording was going to be the start of something or the end of our hobby band. Also, at that point it was our first time recording with Jeffro, and we’ve since developed an incredibly strong working relationship with him which has transcended onto this latest recording. He’s grown tremendously since Commitment as well.

I think on Sever Your Roots, musically we are far more focused. Tristan has gone from being the fill in bass guy whose gear we borrowed, to being an irreplaceable part of the music we all make together and an inseparable friend. We’ve obviously added Dustin into the mix to help us fill out the sound we were looking for and that has been HUGE in terms of what we’ve been able to accomplish musically. He’s definitely added a different perspective on our music than what we’ve had in the past and I feel like I can always count on him to steer us in the right direction when writing. Since then, we’ve also toured the country together in a van more times than I can remember, which adds to the ability to feed off each other and know what to expect from one another. We’re just far closer and far different people from what we were then, which makes us different musicians.

All of our lives are more stable and grounded, albeit unbelievably more complicated now than they ever were then. Joel got married to an awesome girl named Dre and moved to Milwaukee, Tristan and Dustin now have big time jobs with Threadless that have taken them from the Rockford area to Chicago, and I have my full time graphic design business to run, three kids to take care of with my wife heather, as well as another band with Heather and Dustin called Venna. There’s definitely a lot going on.

T.S: If you could have one guest musician play a show with you, dead or alive, who would it be?

Marky- I would want to play with Defraim Santiago, alive or dead.

Dustin- Bjork probably. I have no idea how that would work, but it’d be insane.

Joel- I feel like every interview I ever do will have the same kind of answer for this one, but… Jeff Buckley.

Tristan- Frank Sinatra or Billie Holiday. I have no idea what would come from that type of collaboration, but it sure as hell would be an amazing moment in my life.

T.S: Who are your top three musical influences as a collective band? Individually?

Marky- My musical influences are all over the board. Everyone from the above mentioned to Bjork, Jeff Buckley and Mew to Hum and Sunny Day Real Estate, and Twothirtyeight.

Joel- My father, Defraim Santiago, and my friends that I grew up playing music with.
As a band:
Hum, Sunny Day, Engine Down, Jimmy Eat World, Deftones…there are a ton, really. Hard to answer that one.

Dustin- As a band, I think we all agree on some variation of Engine Down, Shiner, Radiohead, Small Brown Bike, Jimmy Eat World, Mew… personally, I think the influences that find their way into my playing range from Miles Davis and Jimmy Page to Braid and These Arms Are Snakes.

Tristan- I would say that, as a band, that question is hard to answer. Sure, there are some core elements to what we do, but I feel like that core is constantly rotating and evolving; some stay, some go, some show up unexpectedly. Personally, I’d have to say that my list is ridiculous. I tend to draw influence from things that range from my friends and people watching, to piano stuff I heard in the car with my mother at 10 years old, to soundtracks from people like Philip Glass or Hans Zimmer, to bands/musicians like Flashbulb, Dillinger Escape Plan, No Knife, The Notwist, etc.

The Weekend in Shows

20 Jan

With two dance parties, a few album release shows, and a whole lot of great bands, Chicagoans will be hard pressed not to shout “TGIF!”. Take a gander at what’s happening at some of our favorite venues this weekend and head out to support local music.

Friday, January 22nd

Yeah Big and Kid Static
Seel Fresh
Scheme (Molemen)
Giraffe Nuts
Reggie’s Rock Club
8:30pm 18+ $8

Pet Lions
Post Honeymoon
White Mystery
The Dirty Diamonds
Metro
Doors 8pm/Show 9pm 18+ $6 Advanced/$9 at the door
Text Message Special: Free before 9pm

Camera
Land of Lincoln
The Kickback
The Vindits
The Bottom Lounge
8pm 21+

APG Music Group, Vita Morte,
& The Modern Life Present…
Young Fly Shit: Vol. 1

Rockie
Ray Protege
Stefan Ponce
The Beat Kitchen
Doors at 9pm/Show 10pm 17+
$5 advanced & at doors until 10:30pm $7 after 10:30

Freedy Johnson
Schuba’s
7pm 21+ $12

Brighton, MA
Elisnore (Record Release)
Flight
Schuba’s
10pm 18+ $10

Just Desserts # 3 (A Monthly Dance Part) Presents:
Mother Hubbard
Kid Color
Skyler
Just Desserts
Lincoln Hall
9pm 18+ $5
Every 8th person to RSVP to this event gets in free (notified at the door)

Saturday, January 23rd

Betta Promotions Presents…

The Felix Culpa
Loyal Divide
Suns
Robbers
Metro
Doors at 6pm/Show at 6:30 $10 advanced/$11 at the door


Brighton, MA
Andrew Belle (Record Release)
Tacoma Narrows (Record Release)
Schuba’s
10pm 21+ $10

The Riverdales
Tenanment
Sugar Stems
Reggie’s Rock Club
7pm 17+ $15

The Krank Daddies
Thee Invaders
Kevin Flynn & The Avondale Ramblers
Pearls Mahone & The One Eyed Jacks
The Fisticuffs
Bottom Lounge
8pm 21+

Tea Leaf Green
Elmwood
Lincoln Hall
10pm 18+ $16 advanced/$18 at the door

Early Show:
The Action Blast
The Fireship
Artifex Pereo
Made Avail
Onasis

The Beat Kitchen
Doors at 5pm/Show at 5:30 All Ages $8

Late Show:
The Blissters
Otter Petter
Sirsy
The Beat Kitchen
Doors at 10pm/Show at 10:30 21+ $8

Sunday, January 24th

The Spares
Chris Staples
Schuba’s
8pm 21+ $8

1997
Chasing Thrill
Shut up and Deal
Standing on the Shoulders of Giants
Minus the Girl
Reggie’s Rock Club
All Ages 5pm

Faceoff
The Flips
The Turbo Vamps
Victory Auto Rockers
Bourgeois Rebellion
Bottom Lounge
8pm 17+

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