Archive | July, 2010

Super Fandom: 5 Tribute Bands We Tip Our Hats To

31 Jul

Though thankfully we’ve surpassed the days where cover bands were the only ones welcome in clubs and being a budding band pretty much put you on the black list for playing anywhere outside your parent’s basement, you can’t deny the fact that these five bands seriously give their idols a run for their money…or at least put a very creative spin on the songs we all know and love. From girl fronted 70′s rock to heavy metal versions of the Beatles, these guys are paying the ultimate homage of fandom.

Lez Zeppelin

Rad Bromance

Hayseed Dixie

Richard Cheese and Lounge Against the Machine

Beatallica

Talking Shop With The Sleepies-

30 Jul

Forming through friendships, roommates, and late night jam sessions, Brooklyn band the Sleepies have recently added to their roster of releases, which already include a full-length by the name of Join The Shark and a split cassette with Old Testament Heroes. Now on that list is the bands self-titled LP, a 13-track offering available on a limited 200 hand-screened copies and recorded by Ben Greenberg (Pygmy Shrews, Z’s). A band that endorses house shows, John Madden, and imaginary band feuds, but has no time for machismo or the last episode of Battlestar Galactica, this charismatic trio delivers some seriously poppy punk rock. Not taking the route of pop punk in its more recent definition, the sound of the Sleepies is all jangly guitars, crushing percussion, and hoarse shouts that you just know the front man look like a bouncing bobble head while singing.
Sleepies, the record, is full of catchy song titles such as “Get Fucked” and “Hypochondriac Blues” putting them right in line with the tongue in cheek, aggressive minute long bursts of bands like The Minutemen. A slight fuzziness to the records overall sounds makes it feel like you are catching the band in some crowded, sweaty basement or perhaps in a late 80’s VFW along with a few flabbergasted veterans. Definitely a record for those who like their bass plunky, their vocals ragged, and their melodies bouncing, the Sleepies are a wonderfully unkempt example of what punk rock used to be.

Two for the price of nothing: Free Download of the Sleepies EP and Split with Old Testament Heroes

The band recently talked with us about their new LP, their biggest influences, and what they’ll be up to next:

Reviewsic: Can you give us a quick recap of what the band has been up to as of late?

Josh: We’ve been slacking off a bit so far this summer. January through May was pretty much spent recording, pressing and printing our LPs as well as planning a short tour that we did in May and playing local shows. Luckily we’re starting getting our steam back a little and have been playing more shows and writing new stuff again.

Thomas: Trying to track down a Tascam Portastudio 424 MKIII 4-track recorder. If you’re selling yours, drop us a line.

Reviewsic: What is the back-story on how the band came to be what it is today?

Josh: Thomas and I have been roommates for about 6 years now. We used to buy a cheap bottle of wine each and play guitar together for hours every night so that’s really how we started writing together. Max lived with us too but we must not have believed him when he told us that he played the drums because we were drummerless for about a year. Eventually we started a band, called The Coast, that played 1 and a half shows with a different drummer but when he moved away, we finally came to our senses and asked Max to play with us. Over time that sort of morphed into Sleepies.

Max: You were right to not believe me: I was bluffing!

Reviewsic: What are your top three musical influences?

Josh: They change just about every day but the Pixies always seem to stay atop the list.

Max: I agree with Josh here, especially if you situate them in the context of those “Our Band Could Be Your Life” bands that kept punk rock weird (Butthole Surfers, Sonic Youth, Hüsker Dü, the Minutemen, etc.; but also!: Feederz, Dicks, Fang, and so on).  But I would also add, for good measure, Nirvana, Billy Bragg, and Hickey.

Thomas: Lester Bangs, The Feelies and Van Morrison.

Reviewsic: Is there any instrument you don’t play, but wish you did?

Josh: Theramin.

Max: Clarence Clemons-style saxophone.

Reviewsic: What are the last three albums or bands you listened to?

Josh: Marked Men – “Ghosts”, Monks – “Black Monk Time”, Gary U.S. Bonds – “The Very Best of”

Max: Janelle Monáe – “The ArchAndroid”, Lesley Gore – “The Golden Hits of Leslie Gore”, Green Day – “Insomniac”

Thomas: Ty Segall – “Melted”  Butterglory – “Crumble” and the new Vaselines song “I Hate the 80s”

Reviewsic: If you could work with one person in the music industry (musician, label, producer etc), who would it be and why?

Josh: Phil Spector so long as he promises not to shoot us. I really want our next album to sound like a better version of “End of the Century”

Max: Steve Albini, so long as he promises not to shoot us.

Reviewsic: What is the most memorable concert you’ve ever attended?

Josh: I saw Joe Strummer a few months before he died. His New York date was on a school night and my mom wouldn’t let me go so I took a train to see him in Philadelphia at a converted movie theater. So worth it!

Reviewsic: Who are three of your favorite local bands?

Josh: Highway Gimps, Pygmy Shrews & The Men.

Max: I think at one point all of Partyline lived here – or still does? – so I’m gonna go with them and Bad Credit No Credit, who are beyond wonderful.

Thomas: Mr. Dream and Reggie Watts

Reviewsic: If you could book a tour with any 3 bands, past or present, who would they be and why?

Josh: Definitely our friends Leg Sweeper from Texas. Those are the funnest dudes on the planet and we will tour with them again sometime for sure. The other two would just be bands that I never got a chance to see and wish I had: Fugazi and The Wipers.

Reviewsic: Tell us about your music – what pushed you towards this genre, what goes into your writing process, etc??

Josh: One thing that I think is pretty cool about our music is that we’re not afraid to admit that we grew up on pop punk. We don’t shy away from melody and song structure. A lot of kids our age like to pretend they didn’t go to the Warped Tour every summer.  Fortunately, I think we also bring in a lot of the other (and admittedly better) stuff that we’ve heard since we were 13. I’m glad we’re more than just a Lagwagon clone band. At least I hope we are…

Max: At the same time, I think it’s kinda strange when people call us a pop-punk band, ‘cos I think it’s at least a little more off kilter than that – but every pop punk band probably says that.  I think the most important thing is that we’re restless editors, so we’re always looking to spazz out the catchy songs and give the spazzy songs some hooks.

Thomas: This is the largest automobile we could afford.

Reviewsic: How would you compare yourselves as musicians at this point as opposed to when you first began playing together?

Josh: Oh my goodness, we’re all so much better. We’ve recently developed the ability to improvise songs at practice and pick up on everyone else’s cues and whatnot. The first time we “jammed” we all looked at each other and were like, “Holy shit! How did we do that?” Unfortunately, since starting this, we spend a lot more time at practice goofing off and playing silly shit rather than working. Usually I’m just trying to get Max and Thomas to play “My Sharona” with me.

Reviewsic: What are some of your favorite cities and/or venues to play?

Josh: We love playing house shows. We haven’t toured much but my favorite shows so far have been a graduation BBQ in Asheville, North Carolina, a show at a DIY space with 1 electrical outlet and no running water in Dallas, Texas and a bunch of basement shows in Philadelphia where we’ve made some spectacular friends.

Max: Props also to Dead Herring in Brooklyn, the most fun – and cleanest! – house show venue in the city.

Reviewsic: What are the best and worst band moments so far in your career?

Josh: The worst was probably when we played at 2 am to only a band of 18 year old gutter punks from New Orleans. They were hurling themselves at us while we played and I kept getting electrocuted by my microphone. It was like playing in an obstacle course. The best moment was probably hearing our new album for the first time. I’m pretty fucking proud of it.

Max: Josh nailed this one, though the gutter punks were really nice guys, I swear.

Reviewsic: What are a few items essential to your “tour survival kit”?

Josh: We spent a lot of time on the last tour playing Hearts. Before shows, after shows, at dinner, etc. so a deck of cards is pretty key. That and lots and lots of snacks.

Max: Husserl’s “Logical Investigations” and a copy of ‘Darkness on the Edge of Town’ on the stereo…the other two guys might dispute those.  And Juliet, our fourth member.

Thomas: An extra set of keys. That and the Creedence.

Reviewsic: What are your plans for music in the next year?

Josh: Hopefully a west coast tour in January. Other than that, writing new stuff and putting out more records.

The Weekend In Shows

30 Jul

Friday, July 30th

Mission of Burma
D. Rider
The Poison Arrows
Subterranean
Show at  10pm 17+ $15 adv/$18 at the door

Hamell On Trial
Schubas
Show at 7:30 21+ $12

Reds and Blue (Record Release)
Hollows
Royce
Schubas
Show at 10pm 21+ $8 Adv/$10 at the door

Tift Merritt
Dawn Landes & The Hounds
Lincoln Hall
Show 9pm 21+ $18

Saturday, July 31st

Cotton Jones
The Parson Red Heads
Tin Tin Can
Schubas
Show at 10pm 21+ $10

Baroness
Valkyrie
Torch
Earthride
Subterranean
Show at  9:30 17+ $15

DJ Jay Illa & The Ivy League
Roger Bonair- Agard
Death From Below
Josue EL Diligente
Scarlet Monk
Precise
Rex Flodstrom
Juan Valdivia
The Mojdeh Project
DJ Megamike
Beat Kitchen
Show at 8pm 21+ $10 adv/$15 at the door

The Right Now
JT & The Clouds
Dan Dyer
plus DJRC
Lincoln Hall
Show at 9pm 18+ $10

Sunday, August 1st

Chris Shiflett & The Dead Peasants
Ari Shine
Adam Bones
Schubas
Show at 7:30 18+ $10 adv/$12 at the door

On Again Off Again
Halstead
Tereu Tereu
Patrick Herek
Beat Kitchen
Show at 8pm 17+ $10

the85bears, “Tone and Volume”

29 Jul

Touting a fan base of lo-fi indie rockers, Chicago based band the85bears seem to be more paradoxical than anything else. With their full-length album, Tone and Volume, which is available for a free download via noisetrade.com, the band has created a full on musical collision that honestly doesn’t make a whole lot of sense. Opening up with a traditional pop punk caw not unlike that of The Starting Line front man Kenny Vasoli over layers of floaty guitar, the anthemic “Certain Death” is promising, leading the way to a handful of indie-pop tracks that lean heavily on acoustic guitar and spiritually guided lyrics. While some lines, such “You can’t humiliate the humble/ you can’t dominate the meek/ you can’t steal from those who freely give/ and you can’t frustrate the long suffering/ because he is the vine/ and you’re just a shriveled up leaf/ and I see you falling” from the aforementioned “Certain Death” feel more like statements for getting through this life, others push the premise of religion to the point of being able to be dubbed full on Christian rock. Whether or not that is the intention is unknown, because as far as the85bears’ presence online goes, the grace of god is not part of what they’re about.

The twangy strumming of “Tone” and “Snares” paired with their layers of vocals are a little rough on the ears from a technical standpoint, and more attention to smooth production probably would have helped these tracks along. But as they are presented, the billowy guitar solo near the end of the latter will have to do as their saving grace. “Waiting on Fame” seems like it might be a step out of the biblical direction and a little more relatable to all listeners, but loses that direction in favor of a more devout one midway, and instrumentally just feels like its trying to do too much at once. Between the dual vocals, drum machine, and acoustic strum followed by a drumstick solo, and oddly metered chorus, “Waiting on Fame” seems to be something the band will be doing for awhile.

It’s at the halfway point of track five that things in Tone and Volume start to get a little strange. Enlisting the help of band friendAlex Exile, the remainder of the record becomes a remix of the trio’s past recordings. Now, we’re not saying the notion of a remix is a bad idea in itself, but in this case…it is. Perhaps these songs may have worked better if they were split into two separate EP’s instead of forced together on one album, where they clash worse than a set of unwilling new stepsiblings. The jump from pop punk acoustic to electronic dance is just too much, despite the band’s best efforts to include the transitory track, “Under Our Feet” which is a synthesized middle ground between the two styles.

The most mutated of this musical lab experiment is “Belly Down” which starts off with a Mortal Kombat-esque tremble of synth before cutting in and out like a skipping CD and becoming nothing more than a harsh drum machine battling against an auto-tuned front man. Just when we didn’t think it could get anymore more confusing, those Vasoli-like vocals erupt into screams, making “Belly Down” a bizarre blend that becomes we’d like to call ‘clubby screamo’. Things don’t much improve from there, and the remainer of this album is a conundrum of crashing sounds, tripping tracks and unprecedented shouts.

Tone and Volume more or less tricked us, lulling our ears into a contented (albeit hyper aware of our own blasphemy) state before pulling the rug out from under us with its unnecessary remixes, and for that we’re officially a little distrusting of the85bears. According to the band’s myspace another free full-length from 2009, 10 Years Looks Good On You, exists though we can’t find any evidence of it. However, this is probably for the best, because as of now, we’re a little bit frightened of hearing more.

The Great Explainer, “The Way Things Swell”

28 Jul

Forming through that familiar need to make music and the all to common looming a former band’s break up, Trenton band The Great Explainer came together in 2008, and since then have collaborated with Chunksaah Records to put out their freshly pressed 10”, The Way Things Swell EP. The EP, which is the band’s debut release, includes four tracks that possess all the melodic qualities of pop rock, but taken over by the quartet, those melodies now have a serrated edge that jaggedly plays between the border of hardcore and punk. Definitely a new release that will appease fans of both Hot Water Music and Against All Authority (minus any hints of ska), The Way Things Swell features tremendous guitar trills and enough chugging bass lines to pump up even the most meek of listeners. Dual vocals lighten the heavy, gruff delivery of the band’s main voice with a more poppy counter part, as well as some invigorating group calls sure to get you shouting along. Tight rhythms, energetic guitars and vocals that really pack a wallop make The Way Things Swell an extremely solid set of songs, marking The Great Explainer as a band you’ll be crossing your fingers to find out will be touring near you.

The Way Things Swell was released on July 13th, and is available from Chunksaah Records in not just one, but TWO shades of vinyl- get yours today.



The Great Explainer’s drummer Greg took some time to answers a few questions with us from the bands native New Jersey and tell us all about the new EP, his biggest influences, and which albums of 2010 he’s been drooling over.

Reviewsic: What are your top three musical influences?

Greg: Mine are are totally different from the other guys, I grew up on Iron Maiden, Motorhead, Judas Priest, and got into punk rock in high school.  As far as the band goes, I would say east coast punk rock, mathy/experimental rock, and definitely a huge helping of indie.

Reviewsic: Is there any instrument you don’t play, but wish you did?

Greg: I play a bunch of instruments, but none very well. Mandolin is one I have always wanted to play but I dont think I’ve ever attempted to.

Reviewsic: you have a top 3 new albums so far in 2010?

Greg: I LOVE White Crosses by Against Me, and I will defend that to the death. The Riot Before’s Rebellion and The Menzingers’ Chamberlain Waits have been in heavy rotations for all of us.  I can’t get enough of Black Tusk either, totally sludgy awesome-ness.

Reviewsic: If you could work with one person in the music industry (musician, label, producer etc), who would it be and why?

Greg: This is a really hard question to answer after working with Pete Steinkopf and Chunksaah, haha.  We have been in talks of trying to get Kid Rock to do some guest vocals on our next recording, we are waiting to see if our schedules line up. (joke, punknews does not need to hear about this)

Reviewsic: What is the most memorable concert you’ve ever attended?

Greg: Tegan and Sara, hands down.

Reviewsic: Who are three of your favorite local bands? Is there anything special about your local scene in comparison to the other cities you’ve played?

Greg: We are spread between NJ and Philly most of the time, so I’ll field both.  As far as Philly goes, my two favorite bands right now are The Holy Mess and Glocka Morra.  For Jersey, I would have to say Nick Harris and The American Drugs.  The thing thats so special about the scene in Jersey (and even Philly) is the history.  We all have big shoes to fill musically.

Reviewsic: If you could book a tour with any 3 bands, past or present, who would they be and why?

Andrew WK, Dillinger Four and Municipal Waste. The partying would NEVER end.

Reviewsic: Tell us about the The Way Things Swell – is there a particular concept behind it? What was the process of writing/recording these songs like?

Greg: The only concept behind this EP was finding a balance between getting songs that were on our demo (which we only sold/gave out about 50 of) into more people’s grasp and writing new material.  All of the songs went through multiple changes and phases during the whole process, but Pete made sure to have plenty of pizza and High Life to help us through that.

Reviewsic: How would you compare yourselves as musicians at the point of this new release, as opposed to when you first began playing together?

Greg: We learned a lot about stepping outside our comfort zones as far as our roles in the band are concerned.  I know now, as a drummer, I am more comfortable to help with guitar parts and vocal melodies or anything else for that matter.

Reviewsic: What are some of your favorite cities and/or venues to play?

Greg: THE ASBURY LANES, The Mill Hill in Trenton, Ava House (RIP) and The Fire in Phily.  Knoxville and Tampa have also treated us VERY kindly.

Reviewsic: What are the best and worst band moments so far in your career?

Greg: The worst was one night in Miami where we almost got our gear stolen, got lost in Little Haiti, and had to play at 2am after all the other bands (including the headliners who threw the show/took the door money) left. We had a day off the day after as well, so we were BROKE.  The best moment would have to be when I called the guys at 3am when I found out we were recording with Pete. Their reactions were priceless.

Reviewsic: What are a few items essential to your “tour survival kit”?

Greg: Foam Hulk Hands and a childrens size Spongebob bath towel.

Reviewsic: What are your plans for music in the next year?

Greg: More touring, a full length, and my new Rush cover band.

5 Songs For A Hump Day Slump

28 Jul

Sometimes as midweek rolls around we all start to see that cup as more half empty than full. While Wednesday really is all that much closer to Friday, it can be hard when you realize there are STILL two more working days before the weekend. So in honor of that feeling of “Ugh, Do I really have to drag myself out of bed?” we bring you 5 songs to get you moving in the morning, bring the pep back into your step,  or at the very least, let you know you’re not the only one dragging your heels.

“Touch Me I’m Sick”- Mudhoney

“I Don’t Love You Anymore”- Bomb The Music Industry

“Skull”- Sebadoh

“Shake Your Fist”- Telegraph Canyon

“Indian Summer”- Beat Happening

Free Music in the Park: Kevin Andrew Prchal Tonight

27 Jul

One of the well known benefits of living in our fair city of Chicago during the summertime is the array of free events sprinkled across town at any given moment. Another, perhaps lesser know, perk is singer/songwriter Kevin Andrew Prchal. Packing vocal chords that make him one of those voices every is bound to love, Prchal’s clear, strong singing combined with his proficient guitar playing skills make for pretty melodies that are sure to stick in your head. Combining with other Chicago talents such as Genevieve Schatz of Company of Thieves, AM Taxi’s Adam Crier, Treaty of Paris, and Venna’s Mark & Heather Hladish, Kevin Andrew Prchal proves to be both a stand out and malleable talent we love to see on his own as well as harmonizing with another beautiful voice.

Check out our review of Prchal’s Eat Shirt and Tie as well as an interview with the man behind the music himself.

The singer/songwriter will be playing a free show over at Welles Park, which is located at 2333 W. Sunnyside Ave on Chicago’s north side. Bring a blanket, maybe a picnic, and your ears to enjoy a lovely product of Chicago, in Chicago.

5 Albums Out This Week

27 Jul

Having our own history working in big box record stores, we know that Tuesday’s tend to be big release days in the entertainment world. In light of it being a Tuesday,(and honestly, what else do Tuesday’s really offer?) we bring you this installment of our ‘Lists of 5′ series:

5 New Albums Out This Week

(Click any of the album covers to check out more information.)


Free Music Courtesy of Tell All Your Friends PR

27 Jul

“Eyesore”- Women

“I Could Go”-Oberhofer

“Whoop”- Majongg

“Slow”-Twin Shadow

“Your Famous Friends”- The Henry Clay People

Boris Smile, “Rockets EP”

26 Jul

The fourth installment in their discography, the Rockets EP confirms melancholic pop as the preferred style of Long Beach, CA band Boris Smile. Adopting the concept and perspective of an astronaut going into space, the band begins the EP with an appropriately floaty three minutes of fuzzy xylophone, muted horn, and whispering transmissions in “Satellite” before buzzing its way into “Adventures With Rockets [Revisited]”- so called because its appearance on Rockets is the song’s third out of their four albums. With the cutesy romanticism of running away together to outer space in mind, front man A. Wesley Chung sings out his insecurities about his crush with lines like, “We’re passing twinkling lights and cosmic streams/Surrounded by colors I’ve only seen in dreams/ We’ve been traveling for days, so it’s hard to understand/ Why I haven’t found the courage to hold your hand, hold your hand” proving that even in space its hard to be smooth.

Transitioning from the boppy Nate Ruess-like vocals of “Adventures With Rockets [Revisited]” into a male-female split is “Apollo”, whose gentle acoustic/piano combination seems to be more background noise than necessary accompaniment until it is joined by some gentle swells of violin as the song builds. Though pretty in its simplicity, the blatant nature of this song’s lyrics, messages from the astronaut to his family, elicits a general reaction of “meh”. While initially its understood that “Apollo” is needed to outline the story of Rockets, as the EP progresses it starts to seem less so. Yes, the rest of the tracks on Rockets are about space, this concept of being alone out there, but they’re also intertwined with the cutesy love-rock idea “I could be this, you could be that- aren’t we just such a lovely match?” which dominates the EP and kills the astronaut’s story. Apart from “Apollo” and the snippet of it included midway through closer “8.24.06 (The Humbling of a Planet)”, we don’t hear much about our space hero.

Concept flop aside, Rockets isn’t all together a bad piece of work. “Aurora” takes on a bevy of horns and tritely sweet lyrics of insecurity such as, “If I call you lightning, will you call me thunder?/ I could be your moonlight, but you would choose another/ I would march to my own rhythm, if you’d show me how/ I would fly by your sunset, but my wings are melting now” before bursting out of its sleepy pace into a chorus of handclaps and group vocals. The slide in Chung’s voice combined with harmonica and an oaky acoustic make for a wonderful hybrid between the poppy and folksy, defining “Aurora” as the climax of Rockets.
The short and sweet “Are We Alone?” poses some thoughtful questions like “Are we stars? That’s what some say/ Ghosts of light, burned away” and “Are we alone? I can’t agree/ Words echo back, is it just me?” pairing its pensive pace with a gentle strum and whisper of horns.

“8.24.06 (The Humbling of a Planet)” comes out of left field, overthrowing the 3-5 minute standard length of Rockets’ other songs with its 12 minute and 20 second rise and fall. Beginning with a single starry acoustic and a fading organ note, the song falls to silence twice in its duration, each time coming back with a slightly different sleepy sound. After a choir of tinny woodwinds and repeating a muffled version of “ Apollo” the song falls way to a symphonic swell that eventually recedes into what seems to be an auto-tuned spaceman and a fading flute.

Though not sound in what seems to be its intended concept, Rockets is a pleasant little taste of what Boris Smile can do. Gentle and thoughtful, Chung has a voice that rings similar to indie rock favorites such as The Format, which is sure to please most. The addition of symphonic sounds like a string, horn, and woodwind section definitely give the so-so song writing the leg up it needs to be somewhat impressionable, and while the Rockets EP isn’t the most stand out set of songs we’ve heard, it is a pleasant piece to have pop up in ones iTunes shuffle. The EP is made available through Count Your Lucky Stars as well as a slew of other online music providers such as Amazon and iTunes.

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